Wednesday, November 14, 2007

Double Indemnity

Double Indemnity was a whole new idea too me. I never suspected a film to be put into a category of "film noir" just because of these characteristics. I just thought that these movies were just cool, under the radar, sneaky, and dark. Throughout Double Indemnity, Neff is displayed as a character who is in it for the money, greed, and love. On the other hand, Phyllis is in on the scheme for a new life and money. They both are on similiar grounds which really helps create team ethics which would most likely turn out to be the best in the end, even though such didnt happen. I felt that Film noir is very distinct in the various way they are filmed. I noticed that throughout, even if it was day time, shadows were conveyed at any given time. It gave off the essence of trying to be unnoticed and to be under the radar. It always kept you geussing. For example in the first scene, we dont see Neff's face until he goes into a very horribly lit room only by a light. The shadows convey a gloomy feeling, and kind of like everyone is out to get you and to watch your back. It gives the characters much more distinct characteristics. They all seem eery, in it for themselve, and ready for the worst. Film Noir and Double Indemnity are prime examples that reflect one another.

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